OFFICIAL: http://elliotschneidermusic.com/
Written
by William Elgin, posted by blog admin
The
story behind an album like Don’t Put All Your Eggs in One Basketcase and its
creative guiding light Elliot Schneider is the stuff of unadulterated rock and
roll legend. Schneider came of age during a halcyon era in our national
history, the now fabled 1960’s and 1970’s, and rubbed elbows with a number of
iconic figures through fate’s unpredictable machinations and his musical
ambitions. His personal history boasts brushes with giants like Les Paul, John
Hammond Sr., and Murray the K, among others, as well as going down as one of
the first acts to debut at seminal New York City venue CBGB’s on a Saturday
night – a plum distinction Schneider and his then band the Pitts enjoy with
such names as Blondie, Television, and Patti Smith. Schneider later left
popular music behind and became a high school history and philosophy teacher
instead. He pursued his musical passions on the side, but the nights playing
club gigs receded into memory. Schneider survived cancer and, when he retired
from teaching, turned his full attention once again towards music. He’s on his
fourth album now since returning to the arena and the wittily titled Don’t Put
All Your Eggs in One Basketbase quite readily lives up to the intelligence
implied by its title.
It
opens beautifully with the song “The Moon Has Flown Away”. It isn’t necessarily
the most hopeful lyric of note, but Schneider delivers the words with warmth
regardless of their import and his talent for tailoring his tone to fit the
tenor of the music makes it an even more successful ride. It’s the sort of
breezy opening you’d hope with this album, has a melodic timelessness, tasteful
instrumentation, and an often eloquent lyric. There’s definitely some real
humor driving the song “Diehard Killjoy”, but this is a distinctly unpleasant
character the song depicts. The flourishes of rollicking guitar flaring to life
throughout the piece give it some added oomph. The uncluttered retro sound
dominating much of Don’t Put All Your Eggs in One Basketcase finds one of its
best expressions in the song “Are We Only Dinosaurs?” and the tracks rates, as
well, among the album’s craftier bits of songwriting. It’s truly a mark of how
good Schneider really is that attentive listeners can discern his influences
coming through and yet hear them in perfect balance with his own truly individual
strengths.
An
old school count-in brings listeners into the lush ballad-like number “In a
Sense Innocence” and the massed, choral vocals possess an airiness of texture
that seamlessly melts into the acoustic arrangement. There’s a smattering of electric
instruments woven into the song’s tapestry to satisfying effect. The radio edit
of “A Key to You” has straight-ahead, head down rock and roll swagger that
comes swinging out of its corner and connects at will. The keyboard flourishes
recurring throughout the song vividly light things up. His improbably titled
jaunt “Overruling Neo-Fascists” has a relentless bounce and dismissive
attitudes towards all politics in general while reserving its sugar-coated bile
for a particular bent. There’s even some harmonica tossed into the mix. The
golden oldie rock vibe heard earlier on the album keeps coming here, as well,
with an especially effective guitar solo in the song’s second half. “First Day
of Summer”, written more than forty years ago and a song Les Paul reputedly
wanted to produce for a young Elliot Schneider, makes its belated debut near
the end of the album and has every bit of the elegance and melodic sensitivity
you might expect drew Paul to the song. The final proper song on the new album,
“I Just Don’t Really Know If You Exist”, is truly an idiosyncratic number
surprisingly reminiscent of something Frank Zappa might have attempted in this
vein accompanied by Schneider’s customary melodic excellent and attention to
vocal details. This is a reminder of how an album was once a transformative
experience thanks to the imaginative powers and musical skills of a writer able
to bring you completely into their world and experience. Elliot Schneider’s Don’t
Put All Your Eggs in One Basketcase succeeds spectacularly.
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