OFFICIAL: http://www.alphamulemusic.com/
BANDCAMP: https://alphamule.bandcamp.com/
Written
by Mike Yoder, posted by blog admin
It’s
apparent from the cascading acoustic guitars and bourbon bashing banjo of
“Corpus Christi” that with Alpha Mule you’re in for a trip down memory
lane. Those golden days when country was
country, rock was rock, rap was rap and we didn’t have to crisscross 20
different genres together in the name of experimentation. Sometimes, you just want a style of music to
be what it is. Experimenting can be a
good thing, don’t get me wrong but in an ol’ Americana type of sound, well,
just save it or you’re going to end up sounding disjointed.
The
debut, Peripheral Vision, from
country/folk duo Alpha Mule was written, arranged and mostly played by just two
gentlemen; Joe Forkan on acoustic guitar/lead vocals and Eric Stoner on banjo
and additional acoustic guitars. They
get some help with the auxiliary instrumentation by a number of special guests
including two members of Calexico who are also another modern purveyor of these
original recipe types of sounds who are well-worth a dedicated listen. “On the Moon” eases up on the opener’s
full-throttle, bluegrass-leaned pacing for a steadfast trot that mingles upbeat
country and blues into the inspired folk Americana heard on the intro. Multiple acoustic guitar melodies, a fiery
banjo melody and superb vocals come together for a positive sounding jam that’s
sure to incite a few sing-a-long followers.
The music heard here is straight out of the 50s or 60s but with a modern
production upbeat that allows each instrument plenty of opportunities to be
heard, especially those big, fat upright bass lines courtesy of Joey Burns from
Calexico.
The
title track is steeped in pedal steel guitars and dazzling, diamond sharp
melodies being delivered by both the acoustic guitars and the banjos, while
Forkan pushes a truly fine vocal hook into prominence. There’s a Hawaiian themed flavor to this cut
as strained through some prime 50s Nashville country that really gels together
once you hear the disparate elements come together. Dylan-esque, dark-folk smolders like the
dying embers of a fire in the sullen sadness of “The Distance” and its
minimalist, soundtrack-fare songwriting style.
Though Jack White was heavily featured on the soundtrack of Civil War
epic Cold Mountain, one can easily
hear the music of Alpha Male in that film score and it would have been just as
authentic. The boys kick the barn door
open on “Pavlov’s” explosive bluegrass tendencies; a shotgun spread of at least
2 or 3 acoustic guitars, scorching banjo licks and a muscular rhythm flexed by
the upright bass lend this tune some Johnny Horton or even Reverend Horton Heat
tinged rockabilly influence. “Mule in
the Mine” is nearly equally upbeat and it’s appearance on the album later on as
a duo bonus track (alongside other album cuts “Corpus Christi” and “Step Outside”)
that shows the tune’s humble beginnings of just banjo, guitar and vocals. Speaking of “Step Outside” it’s by far the
most potent ballad number on the record.
This California creeper utilizes soft, glistening acoustic guitars and
an abundance of complimentary steel guitars to create a highly melodic piece
that rarely rises above a whisper. Rock
solid vocal harmonies etch this song permanently into your aural memory
banks. This jam is offset by some peppy
bluegrass of the instrumental variety with “The Ballad of Huell Howser”’s
runaway wagon tempos and crafty acoustic guitar/banjo trade-offs. “Music of Our Hearts” incorporates trumpets
and mellotron in a playful, plucky rendition of Mexican Mariachi music with a
little Spanish flavor, leaving “Empire” to end the record on a high note with a
stark, riveting ballad.
Peripheral
Vision
astounds, stuns and amazes from front to back cover. The bonus tracks are also well-worth a look
as two of them are tracks that you don’t get on the regular album and the other
three are pared down versions of the album tracks that make for an interesting
point of comparison. It’s a darn near
perfect album that all fans of eccentric banjo/acoustic guitar-leaned acts will
want to grab a copy of.
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