Skip to main content

Natalie Estes - 20/20 Vision (2017)




Written by Robert Elgin, posted by blog admin

The EP 20/20 vision from Nashville born Natalie Estes is a four song collection marking the emergence of a musical and vocal talent nearly unparalleled in recent history. This young lady has emerged from near obscurity to create a work that touches on a variety of bases while still maintaining the necessary consistent to ensure that listeners keep coming back for more. It’s all the more remarkable of a release considering that Estes, initially, seemed on a different path. Her time as a dancer likely influences her intuitive sense of what her performances require for maximum success, but she pushes the bar further than that with her evocative and often dramatic phrasing that never robs the spotlight from the instrumentalists. There is no predominant musical force on 20/20 Vision. Instead, everything seems geared to frame her voice in the best possible way and works splendidly towards serving that end.

“Until I Do” begins the EP on a strong high note.  This is a heated, but appropriately understated, piece that has perfectly orchestrated dramatic flow. Estes tailors her voice to the rising and falling of the music with a sure, confident touch and her emotive phrasing helps bring to life a relatively familiar lyric in a new, refreshing way. It’s musically dependant on piano and percussion, but the former manifests as much percussive quality as any of the song’s drumming. “Where There’s Smoke There’s Fire” manifests a different aspect of her sound – this is top shelf pop, but never goes in for pandering and, instead, strikes a big band note with strong shades of R&B bleeding through. The production helps bring this number to even more robust life – it practically leaps out of the speakers and shows great, across the board balance.

“Reminds Me of You” is cut from a little more a traditional cloth than the earlier numbers  and certainly has a gentler musical slant. Estes manifests the same gentleness with her vocal, but there’s still much here that speaks to her individual talents and reshapes familiar forms into something new. There’s a nice edge to her voice on this tune that definitely prevents it from ever slipping into traditionally sophomoric pop balladry. “Bad Game” closes 20/20 Vision with a lot of verve and has that same finesse characterizing much of the EP, but a sharper tempo that concludes 20/20 Vision on a decidedly uptempo note. It’s a great finale to a brief collection that, despite its short length, shows impressive maturity and artistic development. Natalie Estes hits it out of the park with 20/20 Vision and sets the table nicely for her future.

Grade: A

Comments

Popular posts from this blog

Black Note Graffiti - Volume II: Without Nothing I'm You (2017)

OFFICIAL: http://blacknotegraffiti.com/ FACEBOOK: https://www.facebook.com/BlackNoteGraffiti TWITTER: https://twitter.com/blacknotegraffi Written by Raymond Burris, posted by blog admin The second full length release from Ann Arbor’s Black Note Graffiti, Volume 2: Without Nothing I’m You, is an eleven song collection that positions this (then) four piece to rise several more notches in the world of indie rock. The band, furthermore, crackles with the potential to take their act far outside the warm but relatively narrow confines of the indie scene. Rock and its musical progeny may swim upstream commercially in our modern music world, but what that means is that the limited room for viable acts culls the fat off the genre and those who boast marquee status truly deserve it. The band’s talents are considerable – musically, vocally, and lyrically. The growth they’ve exhibited since their 2013 debut is surely the result of the inherent talent they’re dealing with, but it

Joshua Ketchmark - Under Plastic Stars (2017)

OFFICIAL: http://www.joshuaketchmark.com/ FACEBOOK: https://www.facebook.com/josh.ketchmark Written by Jay Snyder, posted by blog admin From the opening, gentle strum the heart-warming, tumbleweed kicking love song, “We Were Everything” and culminating in the rhythmically pulsating, winding electric guitar leads and spitfire soul vocals of closer “The Great Unknown,” it’s clear that Joshua Ketchmark has arrived.   Hailing from his humble beginnings in Peoria, Illinois and eventually carving a path to every big-time music city in the USA (LA just to name one of many places), Ketchmark is now twelve releases strong in a music career that spans too many genres to count.   Though he primarily operates in old school folk, country, pop and r & b, he also branches out into rock, blues and delicate balladry whenever the mood strikes him.    After the fiery lead-in of “We Were Everything,” Joshua switches into ballad mode with quiet acoustic guitar, deeply mixed and lay

Yam Haus - Stargazer (2018)

OFFICIAL : http://www.yamhaus.com/ FACEBOOK: https://www. facebook.com/yamhaus TWITTER: https://twitter.com/YAMHAUSBand Written by Raymond Burris, posted by blog admin Yam Haus’ debut album Stargazer begins in rousing fashion. The title song opens the album with a short flurry of synthesizer sounds before shifting into stomping guitar and drum driven verses. The slashing guitar work gives the song a great deal of bounce while the drumming contrasts that with straight forward power and Lars Pruitt’s smooth, gliding vocal tone provides the finishing touch for the track. The lyrics don’t remake the wheel or aspire to poetic excellence, but they are a cut above typical fare in this style. “West Coast” has a much more retro slant than the title song, definitely recalling the 1980’s moreso than recent history, but it never looks back to that music too reverentially. The production distinguishes this song, like it does the album across the board, and has a physically engag