Skip to main content

Samantha Leon - s/t (2017)




Written by Kevin Webber, posted by blog admin

The debut EP from Samantha Leon comes with “Bright Yellow Shoes” and there are two versions of this and five other epic tracks to wrap your ears around. It’s a pop sensation with inflections of R&B and rap, intertwined together for some appealing melodic and occasionally beat-driven songs. She is from the NY area and keeps her influences in her back pocket, some of them you can clearly make out and others not so much. But this is one big way to start, because she weaves magic all about each of the songs. There isn’t much holding back either, some of it sounds like she’s been around for thirty years or more, and some of it lesser, but it hits right between the old and the new school.

“Bright Yellow Shoes” opens and closes the disc with a perfect way in and out, surrounded by some peaks and valleys. The opening version gets the whole vibe going and there is nothing substandard to follow. If “High” is not your glass of wine, then there is always the following “Run Away” which I find to be the best track. Opinions vary but for my money it flows better than the rest, but they are all not far behind. This can be said about any of them, but that is my call’s perception. I find it the most epic songwriting effort and delivery.

“Perfect” is another title worth mention, as it gets deeper, with a spot from Danny Matos, and he nails it spot on. This track, along with the opener and the former are worth the price alone but if I had to mention the lowest point for me it would be “Hello, Goodbye.” But even that track has compelling elements to be fair. The disc rides along with the songs featuring not only great vocals but tons of fine playing too. It’s just worth giving them all a take for what they’re worth. Maybe your highs and lows will land in different places. It’s all good either way, and it’s only her first of what will be many paving stones.

“Bright Yellow Shoes (Full Band Version)” is a slinky and softer version, but plays more off the former of the same title. It serves to get what you’ve already heard, more inside your head, and it works. Samantha Leon has much going on and if you like older soft rock artists kicked up by more contemporary artists like Adele, you’ll get it. There’s a lot to enjoy on this debut, and even though some of it contains strong language, it’s done in the best taste possible. If it is something that stays with her as she rises, that is yet to be heard. But it doesn’t take away from all the other qualities on often including the melancholy closer with some fine guitar called “Glad/Sober.” It comes recommended for that too.

Grade: B+

Comments

Popular posts from this blog

Black Note Graffiti - Volume II: Without Nothing I'm You (2017)

OFFICIAL: http://blacknotegraffiti.com/ FACEBOOK: https://www.facebook.com/BlackNoteGraffiti TWITTER: https://twitter.com/blacknotegraffi Written by Raymond Burris, posted by blog admin The second full length release from Ann Arbor’s Black Note Graffiti, Volume 2: Without Nothing I’m You, is an eleven song collection that positions this (then) four piece to rise several more notches in the world of indie rock. The band, furthermore, crackles with the potential to take their act far outside the warm but relatively narrow confines of the indie scene. Rock and its musical progeny may swim upstream commercially in our modern music world, but what that means is that the limited room for viable acts culls the fat off the genre and those who boast marquee status truly deserve it. The band’s talents are considerable – musically, vocally, and lyrically. The growth they’ve exhibited since their 2013 debut is surely the result of the inherent talent they’re dealing with, but it

Joshua Ketchmark - Under Plastic Stars (2017)

OFFICIAL: http://www.joshuaketchmark.com/ FACEBOOK: https://www.facebook.com/josh.ketchmark Written by Jay Snyder, posted by blog admin From the opening, gentle strum the heart-warming, tumbleweed kicking love song, “We Were Everything” and culminating in the rhythmically pulsating, winding electric guitar leads and spitfire soul vocals of closer “The Great Unknown,” it’s clear that Joshua Ketchmark has arrived.   Hailing from his humble beginnings in Peoria, Illinois and eventually carving a path to every big-time music city in the USA (LA just to name one of many places), Ketchmark is now twelve releases strong in a music career that spans too many genres to count.   Though he primarily operates in old school folk, country, pop and r & b, he also branches out into rock, blues and delicate balladry whenever the mood strikes him.    After the fiery lead-in of “We Were Everything,” Joshua switches into ballad mode with quiet acoustic guitar, deeply mixed and lay

Yam Haus - Stargazer (2018)

OFFICIAL : http://www.yamhaus.com/ FACEBOOK: https://www. facebook.com/yamhaus TWITTER: https://twitter.com/YAMHAUSBand Written by Raymond Burris, posted by blog admin Yam Haus’ debut album Stargazer begins in rousing fashion. The title song opens the album with a short flurry of synthesizer sounds before shifting into stomping guitar and drum driven verses. The slashing guitar work gives the song a great deal of bounce while the drumming contrasts that with straight forward power and Lars Pruitt’s smooth, gliding vocal tone provides the finishing touch for the track. The lyrics don’t remake the wheel or aspire to poetic excellence, but they are a cut above typical fare in this style. “West Coast” has a much more retro slant than the title song, definitely recalling the 1980’s moreso than recent history, but it never looks back to that music too reverentially. The production distinguishes this song, like it does the album across the board, and has a physically engag