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Written by Wayne Toole, posted by blog admin
The fourth studio release from Russ Still and the
Moonshiners is a nine song album entitled Still Cookin’. The title proves be a
particularly apt description of the band’s musical powers at a point in their
recording career where lesser bands begin to back off the gas pedal and settle
into predictable formulas. Russ Still and the Moonshiners sound restless, still
hungry, and eager to continue deserving a place at the table on the modern rock
and traditional country scenes. Still, solely responsible for writing eight out
the album’s nine songs, has a commanding presence as both a vocalist and front
man – he’s among the mightiest figures working in this style today and the powerful
presentation given to his vocals emphasizes the extent of his interpretative skills.
This collection is, in turns, grittily authentic, completely modern sounding,
and keeps a flag flying that might be decidedly out of fashion with the public
en masse, but retains enough support to buoy young careers.
“Promised Land” gets the release off to a confident,
stirring beginning. The blues influence coming through in the guitar attack
wrings enough authenticity from its traditional line of attack to come off
credibly, but never so precious as to prove inaccessible. Great care has
obviously been taken to mold these songs in a mainstream direction, but it
never comes at the expense of their quality. The lyrics here, as elsewhere on
the album, touch on longstanding motifs without ever sounding tired and benefit
from a supreme singer in Till. His voice has a curiously compelling mix of
gravitas and popular song clarity with a penchant for phrasing far beyond the
skill level of many vocalists working within that style. “Long Way From Home”
shows a bit of flash with its guitar playing, but it helps further get over the
soulfulness underpinning so much of what the band does – it’s a soulfulness
running deep enough to make you forget you’ve heard similar sentiments espoused
in hundreds of earlier songs. Still and the Moonshiners serve up their take on the
subject as if they are the first band to broach the idea in popular song.
“Gone Fishin’” is another memorable moment on the album that
sticks to the roof of your mouth as an example of tasty modern country rock,
but it has solid construction and real chops driving its appeal. One of the
definite keys to the band’s success comes from their unabashed willingness to
be who they are and pretend to nothing more – they shamelessly mine everyday
life for song subjects and serve up material certain to connect with their
target audience. The album’s best ballad, “I Can’t”, is another example of that
– if you’ve been listening to music for a long time and pay attention, you can
hear a lot of developments and lines in the aforementioned track coming from a
mile away, but it’s no matter. Russ Still and the Moonshiners present this
album with such forceful charisma that even naysayers are likely to be won over
by their enthusiasm and talent.
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