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Written
by Pamela Bellmore, posted by blog admin
A
solid collection of songs is present on Jackson Howard’s sophomore record, Just for the Mystery, and the tunes
represented weave together a number of classic styles with a mainstream
touch. The end result is a wealth of
material well-suited to radio and songs that will appeal to music fans who like
the real thing without an overabundance of studio trickery and digital
manipulation. Howard can sing, play and
write, so he wisely chose to let the music do the talking with the production
only reinforcing the above facts.
The
one-two punch of the title track and “A Place in this World” illustrates his strengths
as well as his band’s attributes; the former a busy, high-octane rock jam with
rumbling drums, fluid bass plucking, fiery electric/acoustic guitar mash-ups
and powerhouse vocals while the latter combines acoustic balladry with a radio
friendly rock chorus ala James Blunt or even Ryan Adams. “Run with Me” starts to open things up into
more arid textures where laidback rhythms compliment gentle acoustic
meditations and vocals that go from a whisper to a skyward croon in
seconds. Rocked-out rhythms in the
second half provide a nice boost to the preceding atmospherics which transition
uniquely into “Hideaway’s” male/female vocal combo (more than ample support
given by the soulful Mandy Cook) and downhome, country guitar cookin’.
The
Led Zeppelin masterpiece “The Battle for Evermore (from the classic 4 album)” goes for the throat with a
trotting, galloping gritty blues guitar presence and steadfast rhythmic
interplay. Here, Howard can be found
matching vocal wits with Rachel Hortner in a display of growly blues that are
truly an excellent hat tip to Zep’s mighty original.
“Surround
You” and “Driftwood” are folky, acoustic jams that are on the melodic
downtempo; eschewing rock n’ roll for true singer/songwriter flair that are
ably handled by Jackson’s smooth vocal timbres.
“This Town” retains a hazy blues crunch that follows-up the Led Zeppelin
cover well and “Dizzy” returns to the rock n’ roll nerve that punctuated the
opening track. A triple threat of
ballads including the sugar sweet piano/vocal showcase “If I Fall” and country/folk-dipped
dreamers “You Are More” and “Tribute” bring the album back to its core
thematic, as a redux of EMF’s “Unbelievable” crosses the finish in a buzzing,
electric guitar salvo.
A
few of the acoustic numbers sound similar, even if each is pretty and pulsing
in their own respective rights, and more songwriting variety could make for an
even stronger third record. The fact
remains though that Jackson Howard has the soul, smarts and songwriting to turn
a lot of heads. Just for the Mystery is a well-done effort that is worth the time
it takes to absorb its 13 tracks.
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